Throughout the semester, I have gained knowledge about Industrial Design and found some answers to my questions. During classes, although I did not speak up too often, I have argued with opinions of my classmates with accord and discord. Also, writing short essays on lessons that I learned from lectures and presentations have helped me to really think and concern about matters that happen in the world with Industrial Design. In last class, I got to finally speak in front of my classmates out loud (Nancy asked me to talk about my idea) about Art + Design. The relationship between Art and Design has been my most concern for a long time, frankly since I entered RISD; I wanted to know what other students would say about artists, designers or design artists that work more towards considering aesthetic and artistic value. I am more on the side of appreciating the “art value” on products; however, people with great interest such as functionality, technology, and eco-friendly have had strong and harsh opinions on products that lack design value. I understand why there could be a gap between art and design, yet, I think that they should exist both together and separately. Now, I would like to show and talk about different examples with various focuses and purposes based on my personal choices of design works and projects.
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Thirdly, I would like present works that have more highlighting on environment and atmosphere of where they would be placed. The series of lights that you see in the picture is the result of experiments with computer design and CNC manufacture and is assembled and finished by Liam Hopkins and Richard Sweeney by hand in the Lazerian Studio in the UK. The lamps comprise machine cut components and place emphasis on limiting the number of unique module shapes in order to simplify construction. As much as considered how well and constructively they can be made, the lamps create beautifully and attractively patterned shades in surrounding areas. If we were to imagine the lamps are constantly moving slowly, the shades will make us feel like we are in a moving space. Like this series of lamps, I would like to present ‘C-Lounge’, the new seating option, which is designed by Dima Loginoff, a Russian designer, who was once a professional hair designer. Dima’s C-Lounge has no symmetry or regularity in its form. It rather has flow, movement, and language. It is designed for Lounge Concept 2008; it is not yet commercially produced, however, we can all start to think about where it could be with each one of our own taste.
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Presenting diverse products and projects with different design approach and purpose, I strongly believe that uncountable artists and designers from all over the world are constantly working, fighting, and challenging to make this world better whether it satisfies a small or large group of users or audience, and also whether it does more artistically or functionally. I can say we need all of the artists and designers who are different. Throughout my essay, I have been often subjective and personal, because I am also one of the users that designers should consider and satisfy. Industrial Design should not be for just one particular group of people, especially for those who have learned and known better about it. It values even when it gives one person a better life, because that moment can always be a start.
LINKS:
BMW CAR KEY
http://www.designboom.com/weblog/cat/8/view/4676/bmw-use-your-car-keys-to-make-payments.html
http://www.designboom.com/weblog/cat/8/view/4676/bmw-use-your-car-keys-to-make-payments.html
Dima Laginoff
http://dimaloginoff.com/eng/
http://dimaloginoff.com/eng/
1 comment:
Your (old) posts are very interesting. Keep up the awesome "ID" work baller.
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